Voice of the oppressed! Uppsala vocal ensemble premieres Christofer Elgh’s “Marriage question” (Be a white man’s slave)
Workshops in composition and making opera at Kappelsberg with composition class and opera studio during this spring
Two days of inspiring workshops and seminars in music drama were delivered by experienced composer Christofer Elgh. We were guided through his music, and followed the narrative of the operas and his artistic decisions in the working processes.
Watch my new chamber opera ADA with the Royal Swedish Opera, Opera of tomorrow at operanplay
Short Stories IV
Ada
Kungliga Operan 2023
Photo: Sören Vilks/Kungligs Operan
Anneli Jupiter as Ada Lovelace, Kristina Hansson Unander as Annabella Byron, Håkan Ekenäs as Lord Byron and The Royal Swedish Opera Chorus as the humanity of all time.
“It is a dream game-like fantasy that revolves around how Ada’s (Anneli Jupiter) creative impulses are torn between reason and emotion. They are represented by her parents, the poet Lord Byron (Håkan Ekenäs) and the mathematician Lady Byron (Kristina Hansson Unander) – here depicted as two ghostly bust figures in white marble. There are chromatic textures in the music that run like soft wave movements through the orchestra – first piano and strings with small splashes of woodwind, which then swells out a full orchestral storm that manages to both sound modern and capture a gothic atmosphere” Loretto Villalobos, SvD
“Musically the most intricate is Christofer Elgh’s Ada, here there is a chromatic line in Ada (Anneli Jupiter) that is skilfully varied in her fight against her father Lord Byron, while the voices are woven together without losing their identities” Claes Wahlin, Aftonbladet
Music Christofer Elgh
Libretto Sigrid Herrault
Directed by Ola Eliasson
Dramaturgy Katarina Aronsson
Sold out! Fantastic performances and workshops with “Alice in wonderland-the teaparty” at Göteborgsoperan
“Alice in Wonderland-The Tea Party” and Create Days at Göteborgsoperan the 3rd and 5th of november
Performances
3 nov kl. 11.00,13,00 and 15.00
5 nov kl. 11.00,13,00 and 15.00
Workshops
31 okt 10.00-13.45
Alice Julia Ojansivu
Påskharen Ove Gotting
Hasselmusen Ann Roach
Hattmakaren Wolfgang Veith
Composer Christofer Elgh
Directed by Annika Liljenroth
“A Distant Request” at OpenDays Festival in Aalborg the 2nd of September
Erik Sandberg (French horn) and Mats Lindblad(Guitar) performs A Distant request at OpenDays Festival the 2nd of September at 20.00 For more information and tickets
Tranås at the Fringe international arts festival 10th anniversary 1-8 July
IMPROFEST – an impish party
A celebration of the art of improvisation through music, poetry, voice, performance and dance. A group of seven artists meeting on stage, sharing moments and unfolding stories together.
Anton Kosiei – music – percussion/electronics
Christofer Elgh – music – guitar
Dominic Williams – poetry
Louise Halvardsson – poetry/performance
Netanel Seri – voice/performance
Viktoriia Khoroshylova – dance
Stina Nilsson – dance
“It is a dream game-like fantasy that revolves around how Ada’s creative impulses are torn between reason and emotion”
Anneli Jupiter as Ada Lovelace, Kristina Hansson Unander as Annabella Byron, Håkan Ekenäs as Lord Byron and The Royal Swedish Opera Chorus as the humanity of all time
Photo: Sören Vilks/Kungligs Operan
“It is a dream game-like fantasy that revolves around how Ada’s (Anneli Jupiter) creative impulses are torn between reason and emotion. They are represented by her parents, the poet Lord Byron (Håkan Ekenäs) and the mathematician Lady Byron (Kristina Hansson Unander) – here depicted as two ghostly bust figures in white marble. There are chromatic textures in the music that run like soft wave movements through the orchestra – first piano and strings with small splashes of woodwind, which then swells out a full orchestral storm that manages to both sound modern and capture a gothic atmosphere” Loretto Villalobos, SvD
“Musically the most intricate is Christofer Elgh’s Ada, here there is a chromatic line in Ada (Anneli Jupiter) that is skilfully varied in her fight against her father Lord Byron, while the voices are woven together without losing their identities” Claes Wahlin, Aftonbladet
Music Christofer Elgh
Libretto Sigrid Herrault
Directed by Ola Eliasson
Dramaturgy Katarina Aronsson